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"Sure, now, you're too hard on us, Miss Mona. We're innocent of it. Our hands are clean as yer own. We nivir laid eyes on him since yesterday till this blessed minit. Ye should remember that, miss.",

"Eh? What?" asks Lady Rodney, in a dazed fashion, yet coming back to life with amazing rapidity. She sits up. Then in an instant the situation explains itself to her; she collects herself, bestows one glance of passionate anger upon Mona, and then rises to welcome Mrs. Carson with her usual suave manner and bland smile, throwing into the former an air meant to convey the flattering idea that for the past week she has been living on the hope of seeing her soon again.,

"How cold it is!" she says, rising, with a little shiver. "Let us go home.",

"Tell me about your mother," she says, folding her hands easily in her lap. "I mean,—what is she like? Is she cold, or proud, or stand-off?" There is keen anxiety in her tone.

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"And now a last word, Mona. When you come down to dinner to-night (and take care you are a little late), be gay, merry, wild with spirits, anything but depressed, whatever it may cost you. And if in the drawing-room, later on, Lady Rodney should chance to drop her handkerchief, or that eternal knitting, do not stoop to pick it up. If her spectacles are on a distant table, forget to see them. A nature such as hers could not understand a nature such as yours. The more anxious you may seem to please, the more determined she will be not to be pleased.",

When she has finished, Geoffrey says "thank you" in a low tone. He is thinking of the last time when some one else sang to him, and of how different the whole scene was from this. It was at the Towers, and the hour with its dying daylight, rises before him. The subdued light of the summer eve, the open window, the perfume of the drowsy flowers, the girl at the piano with her small drooping head and her perfectly trained and very pretty voice, the room, the soft silence, his mother leaning back in her crimson velvet chair, beating time to the music with her long jewelled, fingers,—all is remembered.,

"That night at Chetwoode you made use of some words that I have never forgotten since.",

After a time the water began to boil and the old man turned his quiver upside down over the pot, and immediately there came from it a sound of a child crying, as if it were being hurt. The old people both looked in the kettle and there they saw a little boy, and they quickly took him out of the water. They were surprised and did not know where the child had come from. The old woman wrapped the child up and wound a line about its wrappings to keep them in place, making a lashing for the child. Then they talked about it, wondering what should be done with it. They thought that if their son-in-law knew it was a boy he would kill it; so they determined to tell their daughters that the baby was a girl, for then their son-in-law would think that he was going to have another wife. So he would be glad. They called the child Kŭt-o-yĭs´—Clot of Blood.